On a large production, you would lead a team to design, make and hire costumes for everyone on stage or screen. You’d work out how to create them in time for the production and within the budget. You’d research and design the costumes for the setting and style of the production. You’d discuss ideas with the production designer, director, and make-up, set and lighting designers. You’d study the script to learn more about the story, setting and characters. To get all the benefits of our graduate job-hunting platform including tailored advice and job opportunities.You would design clothes and costumes for theatre, film or television productions to help make the characters seem real to the audience. Media, journalism and publishing internship vacancies Media, journalism and publishing job vacancies Next: search internships and graduate jobs The ability to work with a wide range of people. Use directories such as KFTV and Kays Production Manual, or look at specialist jobs boards for ideas of who’s hiring.Įxcellent technical skills, such as drawing and model design. You’ll also need to make speculative applications both for work experience and jobs. Job shadowing and unpaid/vacation work experience will be essential. However, it’s more important that you can demonstrate a genuine interest in, knowledge of and experience of visual arts, television, film or theatre. Typically, jobs are not formally advertised – with creative staff being recruited via word of mouth and existing contacts.Īlthough there are routes into this profession for both university graduates and school leavers, employers often look for candidates with degrees in film/stage design, creative or performing arts, visual arts, graphic design, 3D design, illustration, architecture or landscape architecture. Vacancies are advertised by individual venues and production companies as well as online by specialist jobs boards. Some designers – particularly those working on commercials and films –work via agencies that negotiate contracts on their behalf. It’s common for set designers to work on a self-employed/freelance basis and to take on contracts for individual productions or assignments. Terrestrial, satellite, digital, cable and independent television companies. These figures are based on set designer roles in London – earnings are likely to be less in other areas of the UK. Though, according to Salary Expert the average entry level salary for set designers is £38,822 per year, £53,977 per year for more experienced designers and £66,498 for senior designers. Because of this, annual earnings can vary between designers. You may be able to claim expenses/allowances on top of your rates. Earnings at the start of your career are likely to be low and you may find yourself doing unpaid work. You may be paid per production or an hourly or weekly rate that’s likely to be based on the projected income from the production. The nature of set design means you’re likely to work freelance and be paid for your input into a particular creative work rather than an annual salary. Some set designers also work as costume designers as similar skills and experience are needed. Meeting with and commissioning set construction companies. Meeting directors, stage managers, scenic artists and other creative staff to explore ideas and agree plans Producing storyboards, floor plans, drawings and models of sets Researching ideas – for example, by viewing photos and reading about the historical background of a script Reading scripts to explore the scriptwriter’s ideas The role involves working with and communicating with directors, producers, costume designers and other members of staff. Set designers oversee the designing and creating of sets that appear in films, television programmes and theatre productions.
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